KENDALL WALTON MIMESIS AS MAKE BELIEVE PDF

Walton’s major contribution to philosophy is his theory of in his magnum opus Mimesis as Make -Believe. KENDALL L. WALTON. University of Michigan. Mimesis as Make-Believe is primarily an exploration of the workings of the representational arts, among which I. Mimesis as Make-Believe by Kendall Walton has already been heralded as the book A theory of representation, rather than a theory of art, Walton’s book.

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He explores the relation between appreciation and criticism, the character of emotional reactions to literary and visual representations, and what it means to be caught up emotionally in imaginary events. The Movement of Mimesis: The Fictional Truths of the Representational Arts. Sign in Create an account.

Mimesis as Make-Believe

Adorno’s Concept of Imitation. We see the world through them. Representations—in visual arts and in fiction—play an important part in our lives and culture. Account Options Sign kednall.

Representation in Art and Science. Art, Mimesis, and the Avant-Garde: Tom Huhn – – Philosophy and Social Criticism 22 4: Aspects of a Philosophy of Difference.

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He was president of the American Society for Aesthetics from to My waltoh Help Advanced Book Search. Patrick Maynard has praised Walton’s achievement, saying: Walton – – Philosophy and Phenomenological Research 51 2: Philosopher Kendall Walton argues that we the audience are playing games of make-believe when we appreciate fictional representations, in that we the audience are imagining the fictional truths generated by the representation in question to be actually true.

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And it leads to striking insights concerning imagination, dreams, nonliteral uses of language, and the status of legends and myths. Rob Hopkins – – Philosophical Books 33 2: According to Walton’s theory, representational art can be understood as props that prescribe specific imaginings, analogous to the way children’s toys such as dolls and teddy bears function as props in children’s games of waltonn, albeit with greater sophistication.

Walton – – Philosophy and Phenomenological Research 51 2: Added to PP index Total downloads 4of 2, Recent downloads 6 months 1of 2, How can I increase my downloads? Gaut – – Journal of Value Inquiry 26 2: In the context of ontology, the same theory is usually referred to as pretence theory, and in the context of representational arts, prop theory.

Throughout Walton applies his theoretical perspective to particular cases; his analysis is illustrated by a rich array of examples drawn from literature, painting, sculpture, theater, and film. Howard – – International Studies in Philosophy 25 1: Drawing analogies to children’s make believe activities, Walton constructs a theory that addresses a broad range of issues: On the Foundations of the Representational Arts.

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He has developed the groundwork for a theory of aesthetic value in which aesthetic pleasure is understood as being partly constituted by the admiration a participant feels for an artwork, [34] and suggested that styles in art can be understood by comparison to the adjective qualities we attach to the actions that artists apparently took in making a work of art. Walton Snippet view – User Review – Flag as inappropriate Just what are we doing when we watch films, read books or view paintings?

Sign in to use this feature. On the Foundations of the Representational Arts.

Kendall Walton – Wikipedia

Walton studied as an undergraduate at the University of California, Berkeleyoriginally pursuing a major in music, having been a serious musician, probably headed towards music theory. Aestheticsontologyphilosophy of languagefictionalism. Benjamin – – Routledge. He explores the relation between appreciation and criticism, the character of emotional reactions to literary and visual representations, and what it means to be caught up emotionally in imaginary events.