KENNY BURRELL SOUL LAMENT PDF
Soul LamentPour Wouf58 Kenny Burrell ” Midnight Blue ” Words & Music by Kenny Burrell Emadd9 Emadd9. Soul Lament by Kenny Burrell – discover this song’s samples, covers and remixes on WhoSampled. Midnight Blue is a album by Jazz guitarist Kenny Burrell featuring Stanley Turrentine on “Chitlins con Carne” – ; “Mule” (Kenny Burrell, Major Holley Jr.) – ; “Soul Lament” – ; “Midnight Blue” – ; “Wavy Gravy” –
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Burrell’s sparse comping sets the album’s precedent for succinctness, one of his hallmarks.
Turrentine returns on “Wavy Gravy,” a smoldering mid-tempo blues waltz that brings the minor groove to a new tension point. Please consider signing up to WhoSampled Premium to access the fastest, cleanest, ad-free WhoSampled experience for a small subscription fee.
His deceptively clean guitar solo walks a tightrope between endless space and airtight rhythmic motifs; a devil-may-care attitude in the face of death that comes from having been down and out and having lived to tell about it. Burrell got his start as a Detroit rhythm guitarist; as a result, his time is unerring and right in the pocket, he lenny spells out the chords and forecasts where he’s going, but like a great bus driver, he doesn’t draw attention to the underlying mechanics.
The eight-bar intro lays down a pulsing Latin clave, with Holley pedaling the bass as Barretto takes liberties on the congas. Adblock Click the AdBlock button on the top right of your browser’s toolbar and select Don’t run on pages on this domainand then hit Exclude to finish. The album opens with Burrell’s classic minor blues, “Chitlins con Carne.
Turrentine plays foil, Captain Kirk to Burrell’s Spock, singing the blues right out of the gate, but the two show their psychic connection when seamlessly trading not fours, but ones, until the blistering out chorus. Every subscription supports the running of our service.
Midnight Blue (Kenny Burrell album) – Wikipedia
The pace picks up abruptly on the title track, which reintroduces the rhythm section, but not Turrentine. One of Burrell’s most enduring achievements, the album plumbs the depths of the blues for its harmonic subtleties and lyricism in a manner that can be readily accessible on its face yet challenging enough to reward repeated visits.
If you are running an ad blocker, please disable it on whosampled. Few albums capture the aesthetic of Blue Note’s golden era better than Midnight Blue —a consistent set of original minor grooves meant to be experienced in its entirety, rather than padding for one standout track—and it justifiably occupies a place in the jazz canon, a common entry on countless essential listening lists.
This is possibly because you are running an ad blocker or another browser extension that is preventing ads from showing, or are using browser privacy settings that do not allow ads to show. Taking another departure from the bar blues, Burrell shows his prodigious bebop chops here, cutting loose on some extended lines juxtaposed with subtler rhythm guitar, employing technique that carries his characteristic fullness despite its comparatively fewer notes.
Discussion Be the first to comment on this track! Unlike other jazz subgenres, the key to the blues is to never let the bomb go off, and the five demonstrate an unwavering focus, keenly aware of this urgent fact.
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As always with Burrell, though, never mistake brevity for simplicity; the fathomless bar mantra has no two identical choruses, and Burrell doesn’t rely on reflexive facility, the blues equivalent of fool’s gold. Please sign in or sign up. Darker hues ruled the night, and the pale moonlight of a lovelorn skyline meant it was past last call and all that soyl of the day was an sol air of what could only be called the blues.
Though under three minutes, this represents some of Burrell’s most sensitive playing, replete with embellishments, a rhythmic elasticity, and complex inversions. Sunsets by SLik D Holley establishes the groove with a well-articulated bass line, which Burrell glides over sparsely, until the saxophonist comes in to state the head in unison with the guitar.
The effect is a listener-friendly album with a tonally nuanced atmosphere easily shared between the jazz aficionado and the neophyte who just heard Kind of Blue for the first time; regardless of background, a smooth ride allows passengers to take in the scenic vistas.
If ads still aren’t showing, look into tweaking your browser settings so that they start to show. Leonard Feather begins his liner notes for Burrell’s seminal album with this quote, invoking one of the consummate jazz guitarist’s greatest influences, and one of his greatest champions.
Turrentine simply wails; his style contrasts perfectly with Burrell’s cavalier detachment. The two continue riffing over each other until it all starts to burrelp out—the blues are never finished, merely abandoned at dawn—as Saturday night palpably fades into Sunday morning.
Burrell closes the album with “Saturday Brurell Blues,” a driving nightcap to a bottomless evening that shifts the blues from minor to major. On this outing, he is joined by like-minded players who create the illusion of a loose blowing session within a tight framework: Recorded 50 years ago at Van Gelder studio in Englewood Cliffs with Burrell’s pianoless quintet, the album still holds up to critical scrutiny, or to a pairing with a half-empty bottle of Scotch.